M Schedel: Arts

P. Perry & M. Schedel (Forthcoming 2026) Machines We Imagine, Taylor and Francis. (I)

M. Schedel & Carla Scaletti (Forthcoming 2028) “Rethinking Sonification” in Bloomsbury Encyclopedia of Sound Studies. Bloomsbury Press. (I)

M. Schedel & W. Patrick (Forthcoming 2025) "U.N.I.T.Y. in Tech: Bridging Beats and Bytes (working title) Chapter in The Routledge Handbook to Rethinking the History of Technology-Based Music. (I)

M. Schedel & Suzanne Thorpe (2023), “Virtuosity and the Commons” Chapter in Contemporary Notions of Musical Virtuosities “Virtuosity and the Commons.” Routledge Press. (I)

M. Schedel & Susan L. Greene (2022) “Cynosure” Chapter in The Body In Sound, Music and Performance, Routledge Press. (I)

M. Schedel & Flannery Cunningham (2020) “The Star Eaters: Womxn in Electronic Music” Chapter in the Cambridge Companion to Women since 1900, Cambridge University Press. (I)

M. Schedel with Taylor Ackley (2020) “Invisible Influence: Bülent Arel” Chapter in Between the Tracks, MIT Press. (I)

M. Schedel (2018) “Colour is the Keyboard: Transcoding from Visual to Sonic” Chapter in the Oxford Handbook of Algorigthmic Music, Oxford University Press. (I)

M. Schedel, J. Adams, T.Vallier, C. Katsafouros (2015) “In Constraint, Creativity – a Manifest for Open Online Education” Chapter in The MOOC Case Book: Case Studies in MOOC Design, Development and Implementation, Linux Publications. (PR)

M. Schedel, N. Collins, and S. Wilson (2013) Electronic Music. Cambridge: Cambridge University Press. (I)

M. Schedel (2007) "The Electronic Music Studio" Chapter in Cambridge Companion to Electronic Music, N. Collins & J. d’Escriván. Cambridge: Cambridge University Press. pp. 24-38. (I)

M. Schedel & C. Woodman (2003) “Horse Farm Mixer” in Roots of Renewal by Leslie Wright. Faulconer Gallery, Grinnel College. pp. 105-106. (I)

N. Hwang, D. Kwan, R. Pond, M. Schedel, M. Youngblood, and S. Yuditskaya (2025) “Exploring the Frontier of AI-Driven Acoustic Modeling” Journal SEAMUS. (PR)

M Schedel, L. May, P. Alessandrini, C. Stover, S. Yuditskaya (2022) “Inclusive Listening: Developing Multiple Theory-Based Practices for Aural Studies” in Openwork. (PR)

Lnych, H. and M. Schedel (2021) “Interdisciplinary Research Collaborations Are Hard” Inside Higher Ed. (PR)

Snook, Kelly, Joachim Goßmann, Monica Bolles, Susan Green, and Margaret Schedel. (2020) “Kepler Concordia: A Musical XR Instrument for Playing the Solar System” in Journal of New Music Research. (PR)

Morris, Ilene Berger, Margaret Schedel, Erin V. Vasudevan, Daniel Weymouth, Jay Loomis, Tzvia Pinkhasov, and Lisa M. Muratori. (2019) "Music to one’s ears: Familiarity and music engagement in people with Parkinson’s disease" Frontiers in Neuroscience 13 661. (PR)

Schedel, M. and Bressan, F. (2019) Notation for an Electric Stage: Twenty Years of Writing about Notation and a Thought Experiment. In Musica/Tecnologia, 13. (I)

M. Schedel, E. Beattie (2018) “Inscribing Bodies” Lecture Notes in Computer Science (LNCS). (I)

M. Schedel, N. Fox-Gieg, & K. Yager. (2012) “A Modern Instantiation of Schillinger’s Dance Notation: Choreographing with Mouse, iPad, KBow, and Kinect” Contemporary Music Review, pp. 179-186. (I)

M. Schedel & N. Fox-Gieg (2010) “In Strange Paradox: Rationalizing Improvisation.” Leonardo Music Journal. Issue 20. (PR)

M. Schedel (2009) “Buddah’s Horizon” in Deep Listening Anthology: Scores from the Community of Deep Listeners. Marc Jensen, Ed. Kingston: Deep Listening Institute. (PR)

M. Schedel & A. Rootberg (2009) “Generative Techniques in Hypermedia Performance; Dance Choreography and Audiovisuals” Contemporary Music Review. Volume 28, Issue 1, pp. 57-73. (I)

M. Schedel (2004) “Alternative Venues for Computer Music: SoundGallery, Living Room, ARTSHIP” Organised Sound: Volume 9, Issue 3 pp. 303-305. (PR)

M. Schedel (2002) “Anticipating Interactivity: Henry Cowell and the Rhythmicon” Organised Sound Volume 7, Issue 3 pp. 247-254. (PR)

M. Schedel & J. Young (2000) “Tickets to Train Wreck: Antheil Centennial” Paris Transatlantic Magazine, Summer Issue. (I)

M. Schedel, K. Yager (2024) Typologies NeurIPS: Vancouver, BC (PR)*

T.H. Park, M. Schedel (2025) “Hybrid First Presentations: Blending Physical And Cyber Infrastructures To Enable Seamless Telematic And In-Person Presentations” Acoustical Society of America, Online (PR)*

J. Ho, B. Jacobs, M. Schedel (2024) “Housework Commons: Rheostat Rotary Rack” New Interfaces for Musical Expression: Utrech, NL (PR)*

G. Egino, S. Muciño, M. Schedel, B. Shershenkov, S. Yuditskaya (2024) “Suggested Practices for Creating an

Inclusive Hackerspace for Music/Sound/NIMEs” New Interfaces for Musical Expression: Utrech, NL (PR)*

M. Schedel, S. Greene, A. Wixson, J. Rowland, S. Yudistskaya (2023) “Instrument Building and Improvisation” Instruments, Interfaces, Infrastutrues: Harvard University, Cambridge, MA (PR)*

M. Reuter, M. Schedel (2023) “Data + Computing = Discovery” National Science Foundation REU PI Workshop: Austin, TX (I)*

L. Muratori, M. Schedel, IV Ramakrishnan (2023) “WeStep: An Individualized Neurorehabilitation Gait System using Music and AI” NSF-Disability and Rehabilitation Engineering (DARE) Conference on Computational Modeling for Neurorehabilitation: University of Southern California (PR)*

E. Lemmon, M. Schedel, I. Bilkhu, H. Zhu, L. Escobar, G. Aumoithe (2022) “Mapping In The Emergency: Designing A Hyperlocal And SociallyConscious Sonified Map Of Covid-19 In Suffolk County, New York” Interactive Sonification Workshop: Delmenhorst, Germany (PR)*

Schedel, M. (2022) “Àtremo: Code of Sound” International Conference on Robotics and Automation, Sound for Robotics Workshop: Philadelphia, PA (I)*

Schedel, M., Melissa Clarke (2022). “V.erses BTS” Carnegie Mellon University (I)*

Schedel, M. Cosgrove, R., Hwang, N., Smith, B. (2021) “Listening to RhumbLine: Plectrohyla Esquita” Reproduced Sound, Institute of Acoustics, Bristol, UK (PR)*

Schedel, M. (2021) “Secret Analogies: Finite and Infinte Response Filters” Conference on Music and Mathematics: Dresden, Germany-online (I)*

Schedel, M. Hwang, N., Cosgrove R., Smith, B. (2021) ‘RhumbLine: Spatial Listening of Zoomorphic Musical Robots’ New Interfaces for Musical Expression: Shanghai, China (PR)*

Schedel, M. Hwang, N., Cosgrove R., Smith, B. (2021) ‘RhumbLine: Spatial Listening of Zoomorphic Musical Robots’ ACM SIGGRAPH SPARKS | Online (PR)*

Schedel, M. (2021) “ The Stareaters: Gender Diverse Women Working in Electronics and Music ” Women in Music Conference: University of Liverpool, Liverpool, England (I)*

Schedel, M., Ho, J., & Blessing, M. (2021) “Advanced Synthesis: Reimagining Instruments and Speakers" United States Institute for Theatre Technology Conference. (I)*

Schedel, M. & Cosgrove, R. Smith, B, Hwang, N. (2021) “Rhumb-Line: Anthropocenic Sound Mapping on the Web” Sonic Ecology: Hong Kong New Music Ensemble Conference (PR)*

Schedel, M. & Susan Green (2020) “Hands on/off HCI: Controllers, Mapping and Movement” New Music Gathering: Portland State University: Portland, Oregon (rescheduled for virtual) (PR)*

Schedel, M., Ho, J., & Blessing, M. (2019) “Revaluing Women’s Labor through Material Engagement with Musical Instruments built from Domestic Tools.” International Symposium on Electronic Arts, McGill University: Montreal, Canada. (rescheduled for virtual) (PR)*

Schedel, M., Ho, J., & Blessing, M. (2019) “Women’s Labor: Creating NIMEs from Domestic Tools.” New Interfaces for Musical Expression: Porto Alegra, Brazil (PR)*

Schedel, M., Ho, J., & Blessing, M. (2019 Women's Labor: an installation and concert of new and old “feminine” instruments” AWMAT Conference: UCSB, California (PR)*

Snook, K., Barri, T., Goßmann, J., Potts, J., Schedel, M., & Warm, H. (2019). “Kepler Concordia: Designing an immersive modular musical and scientific instrument using novel blockchain and sonification technologies in XR.” International Conference of Auditory Display, Northumbira University, Newcastle-upon-Tyne, UK (PR)

M. Schedel (2018) “Sounding Sight” Center for Visual Music Conference: Sonoma, CA (I)*

M. Schedel, M. Clarke (2018) “Sonic Thinking in VR: Incorporating Sound into S.T.E.A.M Curriculum and Data-Driven Installations” New Interfaces for Musical Expression: Blacksburg, VA (PR)*

M. Schedel (2017) “Sonification and the Data Sensorium” Performance and Research in Science and Music Launch Royal Northern College of Music: Manchester, England. (I)*

M. Schedel with E. Beattie (2017) “Notating Bodies: Inscribing Gesture” Computer Music and Multimedia Representation Conference: Porto, Portugal (I)*

M. Schedel with E. Beattie (2017) “Notating Bodies: Inscribing Gesture” Cognitive Futures in the Arts and Humanities: Stony Brook, NY (I)*

M.Schedel, J. Loomis, L. Muratori, D.Weymouth, L. Morris (2016) “Interactive Sonification of Gait: Realtime BioFeedback for People with Parkinson’s Disease” Interactive Sonification Workshop, CITEC, Bielefeld University, Germany (PR)*

M. Schedel (2016) “Color is the Keyboard” Alternative Histories of Electronic Music: University of Leeds and the British Science Museum (PR)*

M. Schedel (2016) “Sounding Sight: Synthesizing Sound from Image” Seeing Sound Conference: Bath Spa University. (I)*

M. Schedel (2016) “Reusing Open Education Elements” Poster presentation at Coursera Conference (PR)*

L. Muratori, M. Schedel, D. Weymouth, T. Pinkhasov, J. Loomis, I. Morris and E. Vasudevan.(2015) “Sonification of Gait to Create Real-Time Auditory Feedback for People with Parkinson’s Disease” Computer Music and Multimedia Research Conference: Plymouth University (PR)

M. Schedel (2015) “Annea Lockwood:Vibrational Bonds, Finding A musical intelligence in energy” Energies in the Arts Conference. University of New South Wales (I *

M. Schedel and P. Meyer (2015) “AVB – A New Protocol for Multi-Channel Multimedia” International Symposium of Electronic Arts. (PR)*

M. Schedel (2015) “The Data Sensorium: Multimodal Exploration of Scientific Data Sets” Sound Image Data Conference. New York University (PR)*

M.Schedel (2014) “Documentation vs. Notation in Computer Music” From Bone Flute to Auto-Tune University of California Berkeley (PR)*

M. Schedel, and J. Adams. (2014) “Beyond the Front Row Experience: Blending a University Course with a MOOC” Conference on Instruction and Technology (PR)*

M. Schedel, and T. Vallier. (2014) “Beyond the Front Row Experience: Blending a University Course with a MOOC” Symposium on Pedagogy and Technology, University of Nebraska (PR)*

M. Schedel, J. Adams, T.Vallier, C. Katsafouros (2014) Pushing the Boundaries of Media Production: Innovative MOOC Design and Execution” Coursera Partners Conference (PR)*

M. Schedel, T. Vallier, L. Muratori (2014) “Sonifying Gait: Using Music to Understand Parkinson's Disease “ Music Mind Meaning Conference Peabody Conservatory (PR)*

M. Schedel, P. Perry, B. Jackson (2013) “Devotion Gallery: A Case Study in HCI and Digital Arts Practice.” ACM SIGCHI Conference on Human Factors in Computing Systems.(PR)*

M. Schedel. and K. Yager (2012) “Hearing Nano-Structures: A Case Study In Timbral Sonification” Proceedings of the International Conference on Auditory Display. (PR)*

T. Berg, D. Chattopadhyay, M. Schedel, & T. Vallier “Interactive Music: Human Motion Initiated Music Generation Using Skeletal Tracking By Kinect.” 2011 SEAMUS Conference Proceedings.

M. Schedel , and R. Fiebrink (2011) “A demonstration of bow articulation recognition with Wekinator and K-

Bow.” Proceedings of the International Computer Music Conference (ICMC), Huddersfield, UK, 2011. (PR)*

M. Schedel, P. Perry, & R. Fiebrink (2011) “Wekinating 000000Swan: Using Machine Learning to Create and Control Complex Artistic Systems” in Proceedings of New Interfaces for Musical Expression. (PR)*

V. Premraj, M. Schedel, T. Berg (2010) “iWalk: A Tool for Interacting with Geo-Located Data Through Movement and Gesture.” ACM Multimedia: 1059-1062

M. Schedel & A. Rootberg. (2008) “Scoring "The Color Of Waiting" An Interactive, Multimedia Semi-Improvised Performance Work” in Proceedings of the International Computer Music Conference (PR)*

M. Schedel & E. DeMartelly (2008) “Sustainability of Performing with Technology” in Proceedings of the International Symposium on Electronic Art. (PR)*

M. Schedel, A. Rootberg & E. DeMartelly (2008) “Notating an Interactive Multimedia Work” Proceedings of New Interfaces for Musical Expression. (PR)*

M. Schedel (2007) “To Be: The Music of Johanna Magdelena Beyer” Journal SEAMUS Volume 19, No. 2 (PR)*

M. Schedel (1999) “The Notation of Interactive Music: Limitations and Solutions” International Computer Music Conference Proceedings. pp.403-407 (PR)*

M. Schedel, J. Fink, B. Vacarro (2021) Editorial: Commercial Music and the Electroacoustic Music Studio: Influence, Borrowings, and Language.

M. Schedel, E. Honisch. (2018) Editorial:New Wor(l)ds for Old Sounds. Organised Sound.

M. Schedel, D. Worrall. (2014) Editorial: Aesthetics of Sonification.Organised Sound.

M. Schedel, N. Fox-Gieg and C. Keefer (2012) Editorial: Composing Motion: A Visual Music Retrospective.Organised Sound Volume 17 / Issue 02 (August).

M. Schedel and A. Uroskie. (2011) Editorial: AudioVisual.Journal of Visual Culture. Volume 10. Number 2. (August).

M. Schedel, L. Landy and A. May (2006) Editorial: Sustainability in Electroacoustic Music.Organised Sound 11 (3) 204-206.

M. Schedel and J. Young. (2005) Editorial:Networked Music: Bridging Real and Virtual Space.Organised Sound 10 (3) 181-183.

M. Schedel and J. Young (2004) Editorial:Networked Music: Bridging Real and Virtual Space.Organised Sound 9 (3): 226-228.

M. Schedel, J. Young, and L. Landy (2003) Editorial: Performing with Technology.Organised Sound 8 (3): 233-35.

M. Schedel (2017) Review of Cathy van Eck’s book Between Air and Electricity.Sound Effects Journal.

M. Schedel (2011) Review of Chris Salter’s bookTechnology and the Transformation of Performance.Computer Music Journal, Vol. 35, Issue 3 pp. 100-102

M. Schedel (2010) Review of the Oxford Handbook of Computer Music.Computer Music Journal, Volume 35, Number 1, Spring 2011, pp. 105-107

M. Schedel (2009) Review ofDJ Spooky’s book Sound Unbound.Organised Sound: Issue 14 326-327.

M. Schedel (2008) Review of Simon Emerson’s book Living Electronic Music.Computer Music Journal: Volume 32, Number 4. pp. 83-84.

M. Schedel (2008) Review of The Pacifica Quartet’s CD Music Between the Wars.IAWM Journal Volume 14, No. 1. p 32.

M. Schedel (2007) Review ofJean-Claude Risset's CD Elementa.Computer Music Journal: Volume 31, Number 1. pp. 105-106.

M. Schedel (2007) Review ofBarry Truax's CD Powers of Two.Computer Music Journal: Volume 31, Number 1. pp. 106-108.

Books

Journals and Magazine Publications

Conference Presentations and Publications

Guest Edited Issues with Editorials

Authored Reviews

Media Appearances

Interviews