Ferociously Interactive Media

Publications

“PR” indicates peer review, “I” indicates invited

Papers | Guest Edited Issues with Editorials | Authored Reviews | Discography

Papers

Schedel, M. and K. Yager, “Hearing Nano-Structures: A Case Study In Timbral Sonification” Proceedings of the International Conference on Auditory Display. 2012

Schedel, M, N. Fox-Gieg, & K. Yager. “A Modern Instantiation of Schillinger’s Dance Notation: Choreographing with Mouse, iPad, KBow, and Kinect” Contemporary Music Review, forthcoming (I)

Schedel, M., and R. Fiebrink (2011) “A demonstration of bow articulation recognition with Wekinator and K-Bow.” Proceedings of the International Computer Music Conference (ICMC), Huddersfield, UK, July 31–August 5, 2011. (PR)

M. Schedel, P. Perry, & R. Fiebrink (2011) “Wekinating 000000Swan: Using Machine Learning to Create and Control Complex Artistic Systems” in Proceedings of New Interfaces for Musical Expression. (PR)

M. Schedel & N. Fox-Gieg (2010) “In Strange Paradox: Rationalizing Improvisation.” Leonardo Music Journal. Issue 20. (PR)

Visruth Premraj, Margaret Schedel, Tamara L. Berg: iWalk: A Tool for Interacting with Geo-Located Data Through Movement and Gesture. ACM Multimedia 2010: 1059-1062

M. Schedel (2009) “Buddah’s Horizon” in Deep Listening Anthology: Scores from the Community of Deep Listeners. Marc Jensen, Ed. Kingston: Deep Listening Institute. (PR)

M. Schedel & A. Rootberg (2009) “Generative Techniques in Hypermedia Performance; Dance Choreography and Audiovisuals” Contemporary Music Review. Volume 28, Issue 1, pp. 57-73. (I)

M. Schedel & A. Rootberg. (2008) “Scoring “The Color Of Waiting” An Interactive, Multimedia Semi-Improvised Performance Work” in Proceedings of the International Computer Music Conference (PR)

M. Schedel & E. DeMartelly (2008) “Sustainability of Performing with Technology” in Proceedings of the International Symposium on Electronic Art. (PR)

M. Schedel, A. Rootberg & E. DeMartelly (2008) “Notating an Interactive Multimedia Work” Proceedings of New Interfaces for Musical Expression. (PR)

M. Schedel (2007) “The Electronic Music Studio” in Cambridge Companion to Electronic Music, N. Collins & J. d’Escriván. Cambridge: Cambridge University Press. pp. 24-38 (I)

M. Schedel (2007) “To Be: The Music of Johanna Magdelena Beyer” Journal SEAMUS Volume 19, No. 2 (PR)

M. Schedel (2004) “Alternative Venues for Computer Music: SoundGallery, Living Room, ARTSHIP” Organised Sound: Volume 9, Issue 3 pp. 303-305. (PR)

M. Schedel & C. Woodman (2003) “Horse Farm Mixer” in Roots of Renewal by Leslie Wright. Faulconer Gallery, Grinnel College. pp. 105-106 (I)

M. Schedel (2002) “Anticipating Interactivity: Henry Cowell and the Rhythmicon” Organised Sound Volume 7, Issue 3 pp. 247-254. (PR)

M. Schedel & J. Young (2000) “Tickets to Train Wreck: Antheil Centennial” Paris Transatlantic Magazine, Summer Issue (I)

M. Schedel (1999) “The Notation of Interactive Music: Limitations and Solutions” International Computer Music Conference Proceedings. pp.403-407 (PR)

Guest Edited Issues with Editorials

M. Schedel and N. Fox-Gieg (2010) Editorial: Compositing Motion: 100 Years of Visual Music. Organised Sound.

M. Schedel and A. Uroskie. (2010) Editorial: AudioVisual. Journal of Visual Culture. Volume 10. Number 2. (August) 2011.

M. Schedel and J. Young. (2005) Editorial: Networked Music: Bridging Real and Virtual Space. Organised Sound 10 (3) 181-183.

M. Schedel and J. Young (2004) Editorial: Collaboration and Intermedia. Organised Sound 9 (3): 226-228.

M. Schedel, J. Young, & L. Landy (2003) Editorial: Performing with Technology. Organised Sound 8 (3): 233-35.

Authored Reviews

M. Schedel (2011) Review of Chris Salter’s book Entangled: Technology and the Transformation of Performance. Computer Music Journal, forthcoming

M. Schedel (2010) Review of the Oxford Handbook of Computer Music. Computer Music Journal, Volume 35, Number 1, Spring 2011, pp. 105-107

M. Schedel (2009) Review of DJ Spooky’s book Sound Unbound. Organised Sound: Issue 14 326-327.

M. Schedel (2008) Review of Simon Emerson’s book Living Electronic Music. Computer Music Journal: Volume 32, Number 4. pp. 83-84.

M. Schedel (2008) Review of The Pacifica Quartet’s CD Music Between the Wars. IAWM Journal Volume 14, No. 1. p 32.

M. Schedel (2007) Review of Jean-Claude Risset’s CD Elementa. Computer Music Journal: Volume 31, Number 1. pp. 105-106.

M. Schedel (2007) Review of Barry Truax’s CD Powers of Two. Computer Music Journal: Volume 31, Number 1. pp. 106-108.

M. Schedel, J. Allen, and J. Young (2006) Review of Conference NIME 2005: New Interfaces for Musical Expression. Computer Music Journal: Volume 29, Issue 4. pp. 86-91.

M. Schedel (2005) Review of David Rokeby’s Software softVNS 2 Real Time Video Processing and Tracking Software. Computer Music Journal: Volume 29, Issue 4, pp. 97-98.

M. Schedel (2005) Review of The Bifracators’ CD Like a Bird in the Wilderness. Computer Music Journal: Volume 29, Number 1. pp. 97-98.

M. Schedel (2005) Review of Cycling 74’s Software radiaL: Loop Based Performance Software. Computer Music Journal: Volume 29, Issue 1. Internet Only

M. Schedel (2004) Review of Conference NWEAMO 2004. Journal SeamusVolume 8, No. 2. pp. 38-39.

M. Schedel (2003) Review of Natasha Barret’s CD Isostasie. Computer Music Journal: Volume 27, Issue 4. pp. 98-99.

M. Schedel (2003) Review of Curtis Roads’ Book Microsound. Computer Music Journal: Vol. 27, Issue 1
pp. 88-89.

M. Schedel & J. Young (2003) Review of The Freight Elevator Quartet’s CD Fix it in Post. Computer Music Journal: Volume 27, Number 1, pp. 94-97.

M. Schedel & J. Young (2003) Review of Interface’s CD Swank. Computer Music Journal: Volume 27, Number 1, pp. 100-101.

M. Schedel and J. Young (2002) Review of Concert ICMC02 Sept. 19 Evening Concert. Array, Journal of the ICMA, Internet Only.

M. Schedel and J. Young (2000) Review of Concert ICMC00 Aug. 29 Evening Concert. Array, Journal of the ICMA, Internet Only.

M. Schedel and J. Young (1999) Review of Conference ICMC ’99 International Computer Music Conference, Beijing, China. Computer Music Journal: Volume 24, No. 2, pp. 77-83.

M. Schedel and J. Young (1999) Review of Concert ICMC99 Matinee Concert. Array, Journal of the ICMA, Internet Only.

M. Schedel (1999) Review of J. Tabor’s Book Otto Laske-Navigating New Musical Horizons. Sonic Arts Network: Diffusion, November 1999. p. 8

Discography

M. Applebaum (2010) The Metaphysics of Notation Innova Records. Margaret Schedel, electric cello.

M. Schedel (2010) The Beautiful Don’t Lack the Wound on “Stony Brook Soundings Volume 2.” Bridge Records: Track 9.

M. Helmuth (2009) The Edge of Noise on Vol. 36, CDCM Computer Music Series, “The Composer in the Computer Age–XI: Mara Helmuth: Sound Collaborations” Track 5: Margaret Schedel, Soprano.

M. Schedel (2008) Whirlitzer. on “60×60 CD (2006-2007).” Vox Novus: Track 47.

M. Schedel (2007) Vibrations and Colors on “HMMM Remix Compilation.” le-son 666: Track 7.

Jomenico (2006). Iteration31 on Music from SEAMUS Vol. 14: Track 9.