Ferociously Interactive Media

READINGS

CONTACT SCHEDULE | ASSIGNMENTS | READINGS

 

In addition to readings from the book, we will occasionally assign outside readings.

 

B. Bongers, “Physical interfaces in the electronic arts,” in Trends in Gestural Control of Music (M. M. Wanderley and M. Battier, eds.), pp. 41–70, IRCAM—Centre Pompidou, 2000.

J. Chadabe, “The limitations of mapping as a structural descriptive in electronic instruments,” in Proceedings of the International Conference on New Interfaces for Musical Expression (NIME), 2002.

E. Carroll, C. Latulipe, R. Fung, and M. Terry, “Creativity factor evaluation: Towards a standardized survey metric for creativity support,” in ACM Creativity &Cognition, pp. 127–136, 2009.

A. Hunt and R. Kirk, “Mapping strategies for musical performance,” in Trends in Gestural Control of Music (M. M. Wanderley and M. Battier, eds.), IRCAM—Centre Pompidou, 2000.

 

A. Tanaka, “Musical performance practice on sensor-based instruments,” in Trends in Gestural Control of Music (M. M. Wanderley and M. Battier, eds.), pp. 389–405, IRCAM—Centre Pompidou, 2000.

 

] D. Wessel, “An enactive approach to computer music performance,” in Le Feedback dans la Creation Musical (Y. Orlarey, ed.), pp. 93–98, Lyon, France: Studio Gramme, 2006.